Robert Eggers’ Nosferatu delves into the enduring legacy of vampire lore, specifically tracing its cinematic lineage back to Bram Stoker’s Dracula and F.W. Murnau’s 1922 silent film adaptation, Nosferatu. Eggers’ film serves as a testament to the enduring power of these foundational works, exploring the evolving portrayal of vampires in popular culture while simultaneously paying homage to their origins. The essay examines the similarities and differences between Stoker’s novel, Murnau’s film, and Eggers’ reimagining, highlighting the legal battles, artistic interpretations, and cultural impact that have shaped the vampire mythos over the past century. It also provides a critical review of Eggers’ Nosferatu, placing it within the context of his previous work and praising its artistic merits, while acknowledging its potential to polarize audiences unfamiliar with his distinctive style.
The similarities between Dracula and Nosferatu are unmistakable, forming the basis of the lawsuit filed by Stoker’s estate. Both narratives feature a mysterious Count residing in a remote castle, luring a young clerk into his domain. The subsequent escape of the clerk and the vampire’s journey to the west, where they terrorize the populace and attempt to seduce innocent women, form the core of both stories. While the methods of their demise differ, the shared thematic elements of seduction, terror, and ultimate destruction underscore the undeniable connection between the two works. The essay acknowledges these parallels, providing a clear understanding of the legal grounds for the lawsuit against Murnau’s film.
However, significant differences exist in the characterization of the vampires themselves. Dracula, as originally portrayed, is a seductive figure, embodying a certain aristocratic charm, while Orlok, the vampire in Nosferatu, is depicted as a grotesque monster. This divergence in portrayal highlights the evolving interpretation of the vampire archetype, moving from a charismatic villain to a purely monstrous entity. Eggers’ Nosferatu leans into this monstrous portrayal, emphasizing Orlok’s grotesque appearance and unsettling presence. Bill Skarsgård’s performance is lauded for embodying this monstrous aspect, adding a layer of depth to the character beyond mere horror. This emphasis on the grotesque contributes to the film’s exploration of body horror and its departure from the romanticized vampire archetype often seen in contemporary media.
Eggers’ Nosferatu is not merely a retelling of the classic tale but a complex exploration of themes and aesthetics. The film draws heavily on gothic horror and body horror, blending these elements with a touch of camp and homage to its predecessors. This unique blend contributes to the film’s unsettling atmosphere, creating a sense of dread and unease that permeates the narrative. The essay highlights the film’s attention to detail in recreating the period setting, from the costumes and sets to the social interactions and cultural nuances of the era. This meticulous approach to historical accuracy enhances the film’s immersive quality, transporting viewers to a bygone era while simultaneously exploring timeless themes of fear, desire, and the supernatural.
The cinematography of Jarin Blaschke is a standout feature of the film, capturing the gothic atmosphere and the unsettling presence of Orlok with stunning visuals. The interplay between light and shadow, color and black and white, creates a visually striking experience that amplifies the film’s themes of duality and the blurring of boundaries between reality and nightmare. The essay praises Blaschke’s ability to create a sense of unease and foreboding through his visual choices, transforming seemingly ordinary settings into menacing landscapes. The haunting imagery and evocative visuals contribute to the film’s overall impact, leaving a lasting impression on the viewer long after the credits roll.
While acknowledging the film’s artistic merits, the essay admits that Nosferatu may not appeal to all audiences. Its slow pace, unsettling tone, and focus on atmosphere rather than jump scares might not resonate with viewers accustomed to more conventional horror films. The essay also acknowledges the potential for confusion among those unfamiliar with the source material or Eggers’ previous work. However, for those who appreciate Eggers’ distinct style and his willingness to explore the darker corners of human experience, Nosferatu offers a rich and rewarding cinematic experience. The film is described as a "macabre masterpiece" that successfully blends elements of horror, period drama, and art house cinema, creating a unique and unforgettable viewing experience.
