This week, Rosé celebrates a notable achievement on the U.K. singles chart with her new single “Number One Girl,” debuting at No. 84. The track is the second official release from her highly anticipated solo album, “Rosie,” which is set to be released on December 6. Although “Number One Girl” does not reach the same commercial heights as her recent collaboration “Apt.” with Bruno Mars, it still holds a significant position in charts around the world. Both tracks are among the most consumed songs in the U.K. during this period, further solidifying Rosé’s impact in the music industry. With this new entry, Rosé ties with her fellow Blackpink member Jennie in the historical record books for solo K-pop female artists in the U.K.
Rosé’s journey as a solo artist has now seen her enter the U.K. singles chart three times. Before the recently released “Apt.” and “Number One Girl,” her first appearance on the chart was with the song “On the Ground,” which achieved a peak position of No. 43. Her latest success with “Apt.,” significantly boosted by her collaboration with Mars, helped her surpass that previous milestone. This steady ascent showcases Rosé’s growing stature and the appeal of her softer, individual sound as she forges her path alongside her Blackpink sisters.
With the debut of “Number One Girl,” Rosé now stands alongside Jennie regarding the count of U.K. chart hits among solo female K-pop artists. While their musical styles extend beyond the K-pop genre, both artists are pivotal figures in promoting the genre’s global popularity. Jennie’s own three hits include “You & Me,” “Mantra,” and her collaboration with The Weeknd and Lily Rose Depp, “One of the Girls.” Each of Jennie’s tracks has made it into the top 40, making her the first South Korean solo artist to achieve such a feat in the U.K. This dynamic highlights their role in K-pop’s international reach.
Despite their accomplishments, Rosé and Jennie trail behind their Blackpink bandmate Lisa, who holds the lead with four solo U.K. chart hits. Lisa’s repertoire includes tracks like “Lalisa,” “Money,” and her recent collaboration with Rosalia, “New Woman.” Her continued success leaves Rosé and Jennie eager to catch up, fostering a spirit of healthy competition among the trio. This lineage demonstrates the progress made by Blackpink as a collective and individually in the Western music market.
In addition to her new entry, Rosé’s previous hit “Apt.” remains a strong performer, currently placed at No. 3 on the U.K. chart, having peaked at No. 2. This resilience showcases its potential to become one of the rare K-pop tracks to reach the summit of the U.K. charts. While “Number One Girl” may not match the heights of “Apt.,” its entry still signifies a milestone in Rosé’s career as a solo artist. The continued success of both singles places her amongst the top contenders in the industry and sets the stage for her album’s release.
Rosé’s latest single has also shown impressive results on other charts, debuting at No. 11 on the Official Singles Downloads chart and No. 14 on the Official Singles Sales chart in the U.K. With the imminent release of “Rosie,” Rosé has every opportunity to solidify her success further, potentially making history with her forthcoming projects. As the K-pop genre continues to garner global interest, Rosé’s growing presence illustrates her evolving influence and artistic expression, paving the way for future achievements in her solo career.
