Drake Withdraws Petition Against UMG and Spotify Regarding “Not Like Us” Track

Staff
By Staff 4 Min Read

In a recent development, Canadian rapper Drake has withdrawn his legal petition against music streaming giant Spotify and Universal Music Group (UMG), his own record label, concerning allegations of illicitly boosting Kendrick Lamar’s diss track “Not Like Us.” This pre-action case, filed in the New York Supreme Court, has been discontinued without any financial implications for the involved parties. The initial petition, representing a preliminary stage of litigation, sought information from Spotify and UMG and aimed to resolve disputes before escalating to a full-blown lawsuit. The core of Drake’s accusations revolved around the alleged use of bots, discounted licensing rates, and pay-to-play agreements by Spotify and UMG to artificially inflate the streaming figures for Lamar’s song.

The backdrop of this legal action is a highly publicized feud between Drake and Lamar, which reached a boiling point last year. Lamar’s diss track, containing inflammatory lyrics targeting Drake, rapidly gained traction and became a viral hit. Drake’s legal team contended that Spotify and UMG’s actions contributed significantly to the song’s widespread reach and consequently exacerbated the damage to his reputation. The lyrics in question accused Drake of serious offenses, including pedophilia and predatory behavior, allegations that Drake vehemently denies and considered defamatory. Drake’s legal team argued these accusations severely damaged his public image and constituted grounds for legal action.

The strategic withdrawal of the pre-action case against Spotify and UMG represents a shift in Drake’s legal strategy. While the specific reasons for the withdrawal remain undisclosed, it suggests a potential avenue for settlement or a refocusing of legal efforts on the remaining active petition. Spotify had previously filed an opposition to Drake’s pre-action case but offered no objection to the withdrawal. UMG, which had not yet formally responded to the initial petition, reserved its position following the withdrawal. This reservation implies that UMG maintains its legal stance and rights, possibly anticipating future developments in the remaining legal proceedings.

It’s important to distinguish the withdrawn petition from another legal action initiated by Drake, also filed in November. This second petition targets UMG and iHeartRadio, accusing them of colluding to promote Lamar’s diss track through a pay-to-play scheme. This separate legal proceeding remains active, highlighting the complexity of the ongoing legal battle between Drake and the entities he believes are responsible for amplifying the damaging lyrics. The focus of this second petition is on the alleged collaboration between UMG and iHeartRadio to disseminate the defamatory content, further damaging Drake’s reputation.

Drake’s assertion in both petitions was that the lyrics in “Not Like Us,” which included accusations of pedophilia and predatory behavior, were significantly harmful to his reputation. He believed UMG, as his label, should have prevented the release of such damaging material. The fact that UMG represents both Drake and Lamar potentially adds a layer of complexity to the legal dispute. This dual representation raises questions about UMG’s responsibilities to both artists and whether their actions adequately balanced the interests of each.

The discontinuation of the pre-action case against Spotify and UMG does not necessarily signify the end of the legal dispute. The still-active petition against UMG and iHeartRadio signals Drake’s continued pursuit of legal action to address the perceived harm to his reputation. The withdrawal could be a tactical move, allowing Drake to concentrate resources on the second petition or explore alternative resolution strategies outside the courtroom. The ongoing legal battle underscores the increasing complexities within the music industry regarding artist disputes, online defamation, and the role of streaming platforms and record labels in managing artist relationships and content dissemination.

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