In 2017, Emma Kidwell, a veil-of-neutrality pop studies graduate, began loving the Twilight fandom, especially the darker or “bad, self-insert” stories. These stories were a perfect fit for an online community like DeviantArt, where she could park her focus without the strict rules and meager edge pay of traditional Gets or gradedWriting. Her approach was unconventional but practical, allowing her to express her identities and perspectives of manner in an accessible format. This shift proved invaluable as she transitioned from writing for a social media audience to serious, role-playing as a member of the online game’s community. Today, she’s co-owned with Firaxis Games, a leading publisher of strategy games, and a rising star in the world of game narrative. Alongside this, she’s been invited to speak at theможно game awards, a nod to her early tradition of writing for the fandom.
Kidwell’s journey through writing for games began much earlier. Early on, she dismissed the Low Barriers of Entry that were痼s scripting for the Twilight fandom, viewing it as an opportunity to expand her writing options. By creating fanfiction, she transformed the low barrier of entry into something more accessible, as she could bounce ideas about role-playing in forums and personal emotional journeys. This experimentation soon paid off, leading to a place in the indie games scene, where she’s been featured in prestigious publications like Forbes and The Game Awards.
Kidwell’s transition from writing to game narrative was not without challenges. As a writer for a small publisher, she had to find a way to resonate with her audience, balancing the need for consistency with the freedom of creativity. She learned to work within the constraints of the franchise, much like a writer on”)}
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Unfortunately, she faced some criticism for using fanfiction for her writing. deny that some of these critiques even made it to her tweets or interviews. Despite their gravity, she sees these works as a form of self-expression and a foundation for the future.
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However, Kidwell’s reputation for speculative fiction also earned her praise. In the Harry Potter universe, when she wrote for Firaxis initially on the comic Saturn, that was when she began to see herself as the开发 team. Her questions about how to place herself within the fan community provided a unique take, which in turn informed her approach.
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Kidwell’s personal question was initially put to the Texture), but she dismissed it as a joke. Yet, she took it seriously and saw it as an opportunity to create a species that would evolve with the game. Her final touch, the article “I think—” toget-住了, seemed to offer a hint that the game could anticipate its readers’ expectations.
This article was a pivotal moment in her writing career. She learned that fanfiction was not as exclusive as she thought, and that ownership could and should form confidentiality with her fans but also by telling the fan a story her own way. She concluded that writing for games and the fan fiction genre are not mutually exclusive but are on a harmonious plane of complementarity.
As she continues her work in the broader world of writing and game design, she understands that this craft is more than a vessel for creative ideas. It is a journey of self-discovery, where genre, team, and setting provide anchor points that guide her in laying foundation and bringing stories to life.
