Adam Kinzinger, a former Republican congressman and staunch critic of Donald Trump, found an unexpected catharsis in participating in Steve Pink’s documentary, “The Last Republican.” The film, which chronicles Kinzinger’s fight to hold Trump accountable for the January 6th insurrection, provided a platform for him to unpack the emotional toll of his political stance. Kinzinger describes a pivotal interview, conducted in his empty office, as a profoundly healing experience, surpassing even a year of counseling. This candid conversation with Pink allowed him to finally confront and process the damage inflicted by the political turmoil and the backlash he faced for his unwavering principles. The documentary became a vehicle for Kinzinger to not only share his story but also to begin his personal journey of recovery.
“The Last Republican” follows Kinzinger’s journey through the turbulent political landscape of 2021-2023, highlighting his unwavering commitment to truth and accountability in the face of immense pressure. The film premiered at the 2024 Toronto International Film Festival before screening at various festivals, culminating in its showing at New York’s Film Forum in January 2025. The unlikely pairing of Kinzinger and Pink, the director known for comedies like “Hot Tub Time Machine,” is a testament to their shared belief in the unifying power of humor. Despite their differing political views, Kinzinger and Pink found common ground in their appreciation for comedy’s ability to transcend partisan divides. They bonded over films like “Hot Tub Time Machine” and “Red Dawn,” finding kinship in their shared generational experiences and a mutual respect for each other’s perspectives. This unexpected connection formed the foundation of their collaboration, underscoring the potential for dialogue and understanding across political lines.
Beyond their shared cinematic tastes, a deeper connection emerged between director Steve Pink and Congressman Kinzinger, rooted in the tumultuous political climate and the January 6th insurrection. Their experiences of that day were starkly different yet equally impactful. Kinzinger, anticipating violence, carried a gun to the Capitol for the first time, a chilling testament to the escalating tensions. He vividly recalls the unfolding chaos, the chilling realization that the very foundations of American democracy were under attack. The experience was jarring, leaving him with a profound sense of darkness that even his wartime experiences hadn’t evoked. Meanwhile, Pink was on a film set, witnessing the events unfold on a monitor, initially struggling to grasp the reality of the situation. Both men were left with a lingering sense of unease, a shared experience that further cemented their bond and fueled the narrative of the documentary.
The production of “The Last Republican” was not without its challenges. Kinzinger faced continued threats and ostracization, even from within his own family. Despite this, his immediate family, including his wife who was pregnant at the time, fully supported his decision to participate in the film. However, the wider family circle remained distant, a painful reminder of the personal cost of his political stance. Kinzinger recounts heartbreaking instances of severed friendships and strained family relationships, illustrating the divisive nature of the political climate. Yet, amidst the turmoil, he found solace in the knowledge that his actions would ultimately resonate with his young son, a source of strength and motivation to persevere. Pink, meanwhile, found Kinzinger’s parents to be remarkably welcoming and trusting, a testament to their inherent kindness and their willingness to engage with differing perspectives.
The film, produced by Pink’s Media Courthouse Documentary Collective, explores the intersection of comedy and politics, reflecting Pink’s long-standing interest in political narratives. While acknowledging his comedic background, Pink emphasizes the seriousness of the subject matter and the importance of Kinzinger’s story. The film evolved organically, incorporating the natural banter between Pink and Kinzinger to underscore the need for civil discourse. This unexpected comedic element adds a layer of warmth and humanity to the documentary, highlighting the potential for connection even amidst deep political divides. “The Last Republican” became more than just a political drama; it became a testament to the importance of dialogue, understanding, and the enduring power of human connection.
Following the tumultuous events and their aftermath, Kinzinger reflects on the future of the Republican Party and the broader political landscape. He expresses concern about the current state of the GOP, believing it to be irreparably damaged by Trumpism, at least in the short term. He acknowledges the necessity of both left and right movements in a healthy democracy but laments the current state of political polarization. Kinzinger envisions a potential resurgence of a more moderate, compassionate conservatism, reminiscent of Ronald Reagan or George W. Bush’s early years. He also recognizes the potential for the Democratic Party to embrace centrist voices and expand its appeal. Kinzinger’s primary mission is to remind the younger generation, particularly young men, that politics doesn’t have to be defined by the divisive rhetoric and tactics of the Trump era. He hopes for a future where respectful dialogue and constructive engagement can prevail, leading to a more unified and productive political landscape.
